A fun filled day!

As some of you may know, Milly Johnson and I held a crash course in novel writing on the 17th June. I must admit that, for a short time at least, I had a few sleepless nights about picking a date that coincided with Father’s day here in the UK.  Fortunately, I need not have worried at 50 people turned up to our event.  The feedback we have received has been very positive, but don’t take my word for it.  Here is a copy of an article that appeared in the local press.

 

 

 

World Book Night 2012

World Book Night is now in its second year,  was celebrated in the UK, Ireland, Germany and the USA by tens of thousands of people gifting books. This year it fell on the 23rd April which also marked the birth and death of Shakespeare.

Thomas Rotherham College
World Book Night 2012 - Thomas Rotherham College

The college had been chosen as a giver and had copies of Kazuo Isiguro’s ‘The Remains of the Day’ to give away to ‘A’ level English Students and their guests.  I had been invited to take part in the celebrations and to give an introductory talk about novel writing.  After refreshments we settled back into our seats for readings from staff and students of various texts including Shakespeare’s ‘Othello’ and ‘As You Like It.’

I would like to thank the Staff and the students for a very enjoyable evening and wish them all good luck in the forthcoming examinations.

SPECIAL ANNOUNCEMENT

Milly Johnson and I are running an afternoon

‘crash course’ in writing a book in Barnsley on Sunday 17th June, 2pm-5pm

Both of us will be giving a presentation, there will be afternoon tea,
plenty of time for questions and our latest books will be available to purchase.

We’ve both given our course before and they’ve gone down very well, so
this time we’ve decided to join forces.
We’ll tell you how to take your idea from concept
to finished manuscript.
We’ll also tell you:

How to make your novel flow
How to plot
The importance of dialogue
The importance of male protagonists in Romantic Suspense Novels.
How to approach an agent
What NOT to do

…plus lots more.

We intend you home with some supporting literature and full of enthusiasm
to get started.

The afternoon will run – approximately – like this

1.30pm – arrive early if you want to catch us for an early book sale

2pm – Milly will be talking with a Powerpoint Presentation

3.15pm – break for afternoon tea, cakes and a mingle

3.45pm – I will present my Power Point Presentation

4.45pm – A Q & A session with both of us

5.00pm – book signings.

We do so hope you can join us. Places are limited so please book early
to avoid disappointment. We won’t be issuing tickets but you will be
give a booking reference number.

Kindest

Victoria and Milly

New Year – New Book

I’ve spent the last few weeks of 2011 undertaking research for my latest romantic suspense novel. That done, it’s now time to put my fingers on the keyboard and start writing. I find starting a new project daunting mo matter how well I’ve researched the subject matter or how detailed an outline I’ve written. It’s what I call ‘the blank page/screen syndrome.’ You’re faced with what feels like acres of white space to fill and the first sentence is the most important of all. It has to hook your reader, draw them into the story quickly, so that they’re anxious to continue reading and find out what happens next.

My first chapter will go through several drafts before I feel able to concentrate on the rest of the book. But spending so much time working on the opening chapter can stifle my creative process and slow my writing. So this year I have a plan. My opening chapter will go through three drafts, then satisfied or not, I will move on and work on the rest of the manuscript, returning to it only when the book is complete.

I already have a working title for the book, and as with my three previous novels, it will be set somewhere different, albeit in a familiar place – Derbyshire. And that’s all I’m going to tell you about it at present.

I’m not the only person who’s been busy over the holiday period. My editor at Vanilla Heart has produced a new free sampler for my novel, The House on the Shore. The House on the Shore Sampler

Writers conferences – how to get the best literary nourishment.

In July I was fortunate to attend the Romantic Novelists’ annual conference in Caerleon, South Wales. This is the first genre specific conference I’ve attended, and while I’m no expert on the conference scene, I was keen to mingle with my fellow romantic suspense authors, listen to industry professionals and agents.
My conference pack offered a cornucopia of workshops, agent appointments, and industry panels, and I was hard pressed to choose which suited my needs best. Was my time best spent listening to a published author share techniques for developing your story hook? Or would it be better listening to a lecture on time management? All of which made me think what advice I would give to a first-time conference attendee.

Often when you sign up for a writers conference, which let’s face it, aren’t exactly inexpensive, few details, other than the venue and date, are available. The name of the keynote speaker and details of the workshops and agent appointments are sent with the conference pack after you have paid the fee. Personally, I find this a little disconcerting. After all, you wouldn’t order dinner in a restaurant without first looking at the menu or go to the movies without knowing what was showing.

So, when attending a writing conference whether genre specific or not, you need to focus carefully on what’s available. If you have any doubts on whether the conference will be suitable for your style of writing and genre, contact the organiser before you pay the fee. He or she should be able to give you some more details, even if the some of the speakers are yet to give details of their workshops. Select the sessions that fit your needs. For example, if you’re struggling with the plot of your novel, your time is best spent in a session dealing with the technique rather than pitching the idea for your as yet unwritten novel. Know the content of each session before you arrive at the conference venue.

Conferences, especially those in the USA, are filled with editors, agents, publishers and booksellers. Take time to talk to them, although I don’t recommend accosting an agent in a lift and pitching your book. But do listen to what they say. These are industry professionals. They know how the market works and what is selling and what is not. Ask any well thought-out question and note down the answer. Many presenters offer hand-outs, a list of key points from their session.

Take time to meet your peers and identify a potential mentor/critique partner. He or she can give you feedback on your writing and help you when your plot stalls. A good mentor will not write your book for you, but should give you constructive criticism.

Don’t be afraid to approach published authors and ask them how they did it and where they get their inspiration. Many are willing to share such information when asked politely, but again, pick your moment with care. No one wants to be cornered in the ladies room!
Avoid comparisons. Comparing your writing progress with that of other delegates serves no useful purpose and will only depress you. Remember, every published author was once like you, only dreaming of seeing their writing in print. And besides, just because someone boasts about their completed a manuscript there is no guarantee that it will be accepted for publication.

Finally, enjoy yourself. Most conferences present opportunities to socialize and make friends.

Word Book Night, Saturday 5th March

World Book Night is a celebration of literature. With the full support of the Publishers Association, the Booksellers Association, the Independent Publishers Guild, the Reading Agency with libraries, World Book Day and the BBC, one million books will be given away by an army of passionate readers to members of the public across the UK and Ireland.

Thomas Rotherham College has invited me to take part in their celebrations when they will be handing out copies of Carol Ann Duffy’s, ‘The World’s Wife to their talented students.

Interview Englewood and Charlotte Sun

Following my presentation to the Suncoast Writers’ Guild, I was interviewed by the local newspaper. Here’s a copy of the article.

Boca Grande’s serenity inspires ‘Ring of Lies’
By STEPHEN HARRISON
SUN CORRESPONDENT
ENGLEWOOD — Novelist Victoria Howard spends only one month a year in Boca Grande, yet manages to make an impact on the area.
Howard became so inspired by the island’s sunny beaches that she showcased them in her newest novel, “Ring of Lies.”
Born in Liverpool and living in South Yorkshire, Howard spends a significant portion of time traveling and writing.
While in Seattle she wrote Pushcart Prize nominee, “Three Weeks Last Spring,” and in the Highlands of Scotland she wrote, “The House on the Shore,” which put her in the running for the Joan Hessayon Award for romance novelists.
Now Howard has come back with her third romantic suspense novel, “Ring of Lies.”
While enjoying the serenity of Boca Grande, she was inspired to write the book.
“I sat admiring the wonderful homes and started to think how I would feel if, unbeknown to me, my husband, who’d recently been killed in a car accident, left one to me in his will. And thus a novel was born,” she said in a phone interview.
The book was published in 2010 by Vanilla Heart, publisher of romance books.
Howard, 55, started writing novels relatively late in life.
She worked for both the National Health Service in the U.K. and in the offshore oil industry.
Friends who were interested in her short stories encouraged her to write a novel. At first, the task seemed insurmountable, she said, but she broke through and wrote her first novel. Two more followed.
Knowing your audience, researching your novel and being able to relate to your characters are the most important things in becoming a successful author, she said.
“You don’t want to be three chapters in and realize you hate this person,” she said.
While vacationing in the Englewood area with her partner Stephen and border collie Rosie, Howard gave a presentation on character development at a Dec. 18 meeting of the Suncoast Writers Guild.
“She was excellent,” said Edwin Ellis, guild director. “She was very on-target and timely. She explained how to use the basics of character development to introduce support characters and plotlines.”
For information on Howard and “Ring of Lies,” go to www.victoria howard.co.uk. For information on the Suncoast Writers Guild, go to www. suncoastwriters.com  .
E-mail: sharri32@live.com  

Vacations and Presentations

While on a vacation in Florida in December, I was very fortunate to have the opportunity to promote my latest novel, Ring of Lies and give a presentation to the members of the Suncoast Writers’ Guild, chaired by Edwin Ellis, the director of the Guild.

After my presentation was over I signed copies of my novels and spent time chatting to the members. As everyone was very complimentary on the content of my presentation, I’ve decided to put my notes for the event here, so that any members who couldn’t attend can have access. I hope you find it useful.


Why all books need strong protagonists.

We’ve all read books and been disappointed when the characters fail to meet the demands of the plot. My job as a novelist is to get you totally absorbed in the story from page one to such an extent that you feel as if you are standing in the corner of the room witnessing the action.

So how do we, as writers, achieve that?

The magic key is character development – the one element that can define a book as a success or a failure.

Every work of fiction needs a hero – he may be a detective in a crime novel, an astronaut battling the alien in a science fiction book, the war hero in an historical, or in the case of romantic suspense, he’s the guy the heroine finally falls in love with.

Regardless of the genre, they all have something in common. They have to be someone you, the reader, can identify with. Someone you will care about. Moreover, it’s not just the main protagonists who need to be interesting, the villains should be compelling too. Otherwise, I’m pitting tough, intelligent protagonists against stupid villains which lead to a dull, contrived plot.

The romantic hero or protagonist differs from other heroes in fiction in that he must evolve from being self centered with a closed heart to loving fully, in other words, he must learn to commit.

At one time, he was required to be single, sexy, sweet (although that might not be evident at first), smart, and of course, solvent. But tastes have changed over the years. We no longer want the classical tall, dark and handsome hero of Jane Austen or Charlotte Bronte. Although, that said, my heroes do fit the stereotype to a certain degree, only because I’m short and never had much luck with blond haired men.

Bonnie Tyler’s song ‘I need a hero’ sums up the modern romantic hero perfectly. He’s strong, intelligent and somewhat larger than life. Not only is he a good ‘people reader’ and able to see through everyone’s lies, he also has to be human, make mistakes and learn from them as we all do. He’s the guy we want on our side. The one who’s a little bit dangerous, the one our mother warned us about when we first started dating.

His strengths are the qualities that make the heroine and the reader fall in love with him.

But how do I create this desirable male?

Like many novelists, I write a short biography for each of my characters, other authors prefer to use a chart such as the one to be found on this website : http://www.epiguide.com/ep101/writing/charchart.html I include physical attributes, such as height, weight, hair and eye colour, whether they have any tattoos or scars. I also include such things as whether they had a college education, can drive and own a car, what their employment is. Some novelists I know write two or three pages on each character, but I would suggest you add as much or as little detail as you are comfortable with.

But you need to know more than your character’s background. You have to place them in conflict with each other and give them goals.

So what do I mean by goals?

The external goal is usually something simple and obvious – catch the killer or thief, solve the mystery and find the priceless antique. The villain’s goal, on the other hand, might be to exact revenge on the police officer who put him in jail or destroy the small town that shunned him. It is the external goal that drives the plot forward, and obviously, the protagonist’s goal is going to directly conflict with the antagonist’s external goal.

For example, in my latest novel, Ring of Lies, Grace Elliott’s goal is to discover her dead husband’s true identity and find out where the money to purchase the beach house on Gasparilla Island came from.

The internal goal is usually an emotional goal, hidden in the hero or heroines psyche, something which reveals an area of vulnerability. For example, a female police officer’s goal might be to catch the criminal, but her internal goal is to win the approval of her colleagues and family.

For example, in Three Weeks Last Spring, Walker’s external goal is to catch whoever is poisoning the fish in Puget Sound. His internal goal is to overcome his fear of commitment because every woman he’s ever dated has walked out on him when she learns how often he is working away from home.

Whatever the internal goal, the hero and heroine have to change and evolve during the course of the novel and become better persons through their relationship with each other.

The key is to create characters that are strong in their ideals and values, but who are prepared to listen, and if necessary change during the course of 100,000 words. After all, you don’t want to be three chapters into writing your novel only to realize you hate your characters. If you don’t like them, neither will your readers.

But internal and external goals and inner conflict isn’t the only trait characters need. To create tension and excitement, something must impede both the protagonist and antagonist achieving their goals. Without it, there is nothing to make the reader keep turning the page. Every major character must have something to lose as the book reaches the final climax.

It’s the combination of all these factors – believable characters and a realistic plot which makes a novel an enjoyable read. If I can achieve that, then I know I’ve done my job well.

Seasonal Offers from Vanilla Heart Publishing

From now until the 16th November 2010 Vanilla Heart are offering 50 of their great titles, including their latest release, Passionate Hearts, at just $4.99 each.

So if you enjoy reading why not download one now and start reading today?

Passionate Hearts Anthology

Vanilla Heart Publishing announces the release of its forthcoming romance anthology, Passionate Hearts. My short story, Her Protector, has been chosen for inclusion in this wonderful book. For more details or to purchase a copy, please click on the link below.

http://www.vanillaheartbooksandauthors.com/Home_Page.html